ARTISTS IN RESIDENCE
Charlotte Jarvis (DK)
Louise Foo (DK)
Vibe Overgaard (DK)
Laurie Anderson (US)
EU Digital Deal: Charlotte Jarvis (UK) – In Loco Parentis
Name: Charlotte Jarvis
Project: In Loco Parentis
Residency Period: 2024–2025
External Partnerships: Ars Electronica
Status: Under development
Events: November 2025 – seminar, performance & exhibition
Process / Objective: Residency
Charlotte Jarvis is an artist and lecturer working at the intersection of art and science. Her practice often incorporates living cells and DNA: she has recorded music onto DNA, seen her own heartbeat outside her body, and is currently creating the world’s first female sperm. Her recent works explore the future of reproduction and conceptualize the body as a liminal space—a site for transformation, hybridization, and magic.
Charlotte creates large-scale multimedia installations and performances for international solo and group exhibitions. She is currently artist-in-residence with the Saragüeta group, IBYME in Argentina; the Chuva de Sousa Lopes group, LUMC in the Netherlands; and Kulturværftet in Denmark. Her works are permanently exhibited at MIT in the USA and the Ars Electronica Center in Linz. She has published peer-reviewed articles in the Leonardo Journal (USA) and is currently a lecturer and researcher at the Royal College of Art.
Charlotte Jarvis (UK) – In Loco Parentis – EU Digital Deal
Charlotte Jarvis er kunstner og underviser, der arbejder i krydsfeltet mellem kunst og videnskab. Hendes praksis inddrager ofte levende celler og DNA: Hun har indspillet musik på DNA, set sit hjerte slå uden for kroppen og er i øjeblikket i gang med at skabe verdens første kvindelige sædcelle. Hendes nyere værker udforsker reproduktionens fremtid og konceptualiserer kroppen som et liminalt rum – et sted for transformation, hybridisering og magi.
Charlotte skaber storskala multimedieinstallationer og performances til internationale soloudstillinger og gruppeudstillinger. Hun er i øjeblikket huskunstner hos Saragüeta-gruppen, IBYME i Argentina; Chuva de Sousa Lopes-gruppen, LUMC i Holland; og Kulturværftet i Danmark. Charlottes værker er permanent udstillet på MIT i USA og ARS Electronica Center i Linz. Hun har fået fagfællebedømte artikler udgivet i Leonardo Journal i USA og er i øjeblikket underviser og forsker på The Royal College of Art.
EU Rewilding Residency : Louise Foo (DK) – Untitled
Name: Louise Foo
Project: Untitled
Residency Period: January 2024 – Ongoing
External Partnerships: Niels Bohr Institute – DARK
Status: Under development
Events: August 2025 (Work In Progress presentation) / July 2026 (Installation Exhibition: A Quiet Place)
Process / Objective: Residency – Application – Exhibition
With a starting point in the world’s various crises, Louise Foo seeks to acquire new knowledge, reflections, and perspectives by giving the Earth a voice and creating opportunities for people to listen.
Louise Foo studied Digital Media at the Funen Art Academy, while simultaneously playing electronic music on the side. It was during her graduate studies at New York University that she began to explore sound more deeply.
Over the past ten years, she has worked with sound as material for interactive experiences, using new technologies to intensify affectively engaging sound qualities.
Her recent works include a multi-channel data sonification that documents the melting of the Greenland Ice Sheet in near real-time; musical exploration of interplanetary space through installations of ceramic and glass sound objects with FOO/SKOU; and immersive music production with the band SØSTR.
EU Rewilding Residency : Louise Foo (DK) – Untitled
Med udgangspunkt i verdens mange kriser søger Louise Foo at tilegne sig ny viden, refleksioner og perspektiver ved at give Jorden en stemme og skabe muligheder for, at mennesker kan lytte.
Louise Foo studerede Digital Medie på Det Fynske Kunstakademi, mens hun sideløbende spillede elektronisk musik. Under sine kandidatstudier på New York University begyndte hun at fordybe sig mere indgående i lyd.
Gennem de seneste ti år har hun arbejdet med lyd som materiale til interaktive oplevelser og anvendt nye teknologier til at intensivere lydens følelsesmæssige kvaliteter.
Hendes nyere værker tæller blandt andet en flerkanals datasonificering, der dokumenterer afsmeltningen af Indlandsisen i næsten realtid; en musikalsk udforskning af det interplanetariske rum gennem installationer af lydobjekter i keramik og glas med FOO/SKOU; samt immersive musikproduktioner med bandet SØSTR.
EU Rewilding Residency : Vibe Overgaard (DK) – Untitled
Name: Vibe Overgaard
Project: Untitled
Residency Period: March 2025 – Ongoing
External Partnerships: Malmö Kunsthall / Helsingør Shipyard Museum / MS Maritime Museum / Ars Electronica
Status: Under development
Events: September 2025 (Work In Progress presentation) / July 2026 (Installation / Exhibition: A Quiet Place)
Process / Objective: Residency – Application – Exhibition
Vibe Overgaard is a visual artist working with video, text, performance, and sculpture.
The overarching theme in Overgaard’s work is economics and how globally destructive capitalist conditions are normalized politically, culturally, and socially in a Western context. Her work deals with the legacy of modern development, seen in light of her own upbringing, marked by the Danish textile industry.
Through her art, Vibe Overgaard engages with political and theoretical questions with a sensitivity to the embodiment, materiality, and design that anchor capitalism in cultural heritage and everyday life — but which can also provide access to new ideas about intimacy, social responsibility, and sustainable ways of organizing.
She has previously exhibited at ISCP, New York City; Adagio for Things (Overgaden), Copenhagen, Denmark; Kunsthal NORD, Aalborg, Denmark; Floating Projects, Hong Kong; Hotel Maria Kapel, Hoorn, Netherlands; and Odenplan Metro, Stockholm, Sweden, among others.
She was an artist-in-residence at ISCP in 2022 and 2023.
Upcoming at Malmö Kunsthall in 2025.
EU Rewilding Residency : Vibe Overgaard (DK) – Untitled
Vibe Overgaard er billedkunstner og arbejder med video, tekst, performance og skulptur.
Det gennemgående tema i Overgaards praksis er økonomi, og hvordan globalt destruktive kapitalistiske vilkår normaliseres politisk, kulturelt og socialt i en vestlig kontekst. Hendes arbejde undersøger arven fra den moderne udvikling set i lyset af hendes egen opvækst, præget af den danske tekstilindustri.
Gennem sin kunst arbejder Vibe Overgaard med politiske og teoretiske spørgsmål, men altid med en sensibilitet for den kropslighed, materialitet og design, der forankrer kapitalismen i både kulturarv og hverdagsliv – men som samtidig kan åbne for nye idéer om intimitet, socialt ansvar og bæredygtige måder at organisere sig på.
Hun har tidligere udstillet på ISCP, New York; Adagio for Things (Overgaden), København; Kunsthal NORD, Aalborg; Floating Projects, Hongkong; Hotel Maria Kapel, Hoorn, Holland; og Odenplan Metro, Stockholm – blandt flere andre.
Hun var artist-in-residence på ISCP i 2022 og 2023.
Kommende udstilling på Malmö Kunsthal i 2025.